Comedy, comedy, comedy

And to bring you up to date…..

February 5^th…. Classic John Hughes

Movie #1:  The Breakfast Club (1985, with Molly Ringwald, Judd Nelson, Anthony Michael Hall, Emilio Estevez, and Ally Sheedy)

“Don’t you…forget about me…..”   Unless you have lived under a rock for the last 30 years, you hear that song and immediately think of this movie.  They are inseparable.  THE movie to forever speak for angst-ridden teenagers everywhere, this is John Hughes’ masterpiece.  So…. Which one were YOU in high school, all my readers out there in blog-land?   The athlete?  The criminal?  The princess?  The brain?  The basketcase?  I, myself, suppose I would best be classified as a “brain”; however, I firmly hold that my “true” identity in high-school would really be more “band geek”.  But that’s not an option in this film, and I digress.  Most of John Hughes’ movies are highly comedic with not a lot of deep drama.  This one, though, is the furthest from that.  Oh there are some hilarious moments—my favorite being the principal going down the hall with the paper toilet-seat cover hanging out the back of his pants—but this particular slice of Hughes’ genius has some rather dark scenes (for a teenage movie).  It discusses a lot of issues that most kids just avoid or ignore, for many individual reasons.   The Tales of the Crypt from earlier this week looked at how far humans will go to hurt others.  This movie kind of does the same….although it’s more a microscope examining WHY we’re so mean to each other at the most difficult period in a person’s life.   No matter who you are or where you come from, everyone finds someone they identify with in this movie.  That’s what makes it endure and why so many people have such strong attachments to it.  And even after 28 years, it is still just as relevant to real life as it was in 1985 when the country was introduced to “The Brat Pack”.  

What we liked:  The famous last scene…Judd Nelson’s raised fist as he walks down the football field (cue music  “Don’t you….forget about me….”)

Ratings:  Jason 4.5; Kathy 3.5; Me 4

Movie #2:  Sixteen Candles (1984, with Molly Ringwald, Anthony Michael Hall, and Justin Henry)

This is classic John Hughes comedy.  The most momentous occasion in a teenage girl’s life—her 16^th birthday—is completely forgotten by her entire family.  Enter the annoying siblings, the creepy grandparents, and then the stress of navigating the mine-field of high school student hierarchy (Nerds to the left, jocks to the right, rich kids in the center…. Single file, please people, single file.)  There’s a lot of slap-stick comedy, the confusion of a Chinese foreign exchange student, a family wedding, and one pair of very famous red heart panties.  And in the center of all this chaos, one very cute senior—Jake Ryan.  (Okay, if any of you out there say you didn’t have a crush on that guy when you saw this movie, I call you out right now for the liar you are!)  Of course like all comedies, as dictated by Shakespeare, the confusion gets cleared, mistakes are mended, and in the end—the happy union.  One of the sweetest moments in film history is the end when Jake and Samantha kiss over her belated birthday cake.  (So sue me, I’m a gushy romantic….get over it.) 

What we liked:  1.  The scene with Jake when Anthony Michael Hall’s character (who is only known as “The Geek” in the whole movie) is mixing martinis and giving Jake advice on dating to a background of Frank Sinatra music!  2. John Cusack as a true “nerd”.

Trivia Tidbit:  Michael Schoeffling who played hunky Jake Ryan’s acting career only spanned 11 years, ending in 1991 with Wild Hearts Can’t Be Broken after 1990’s Mermaid.  He was a champion wrestler in college, met his wife while modeling for GQ, and since the 90s has been living with his family in Pennsylvania making hand-crafted furniture.  (Anyone need a chair?  Road trip!)

Ratings:  Jason 4; Kathy 3; Me 4

February 11^th… Little known comedies

Movie #1:  In & Out (1997, with Kevin Kline, Joan Cusack, Matt Dillon, Debbie Reynolds)

What happens when an English teacher from a small mid-western town is outted as gay during an Oscar acceptance speech by his former student?  Well, this movie explores that….   Mr. Brackett’s whole world shifts after his student stuns the town by announcing that he was inspired for his portrayal of a gay man by his beloved English teacher.  Mr. Brackett is getting married in 3 days and is now having an identity crisis.  This movie is hilarious.  It’s definitely tongue-in-cheek and over the top.  Every stereotype is pulled out of the woodworks for this movie.  In the end…. Sure, there’s tears.  There’s shock.  There’s suspicion.  But past all that, there’s hope.

What we liked:  Cameo by Bob Newhart.  We just love him.  He has the greatest facial expressions.

Ratings:  Jason 4.5; Kathy 5; Me 4

Movie #2:  For Your Consideration (2006, with Catherine O’Hara, Harry Shearer, Eugene Levi)

Another “mock”umentary like Best in Show, this movie is all about the hype surrounding Oscar nominations.  We watched this one since it’s Oscar season right now—seemed appropriate.  Catherine O’Hara plays an aging actress who is rumored to be up for a nomination for her role in a period movie.  The whole movie is centered on displaying the world of show biz—the over-hype, the sleeze, the poor writers who just want their work recognized but no one even knows who the heck they are much less what they write.  At one point, the whole cast but one is “up for consideration”.  Of course, who wins… (this is no spoiler, you see it coming a mile away)… the Oscar nomination goes to the one guy who never had any buzz.  It’s pretty funny, and the movie is just filled with tons of great character actors.

Ratings:  Jason 3.5; Kathy 3; Me 3

So now you're all updated!  See you next week!

Crypts, Comedies, and Choirs

Been lazy about posting, but we have still been watching movies every week.  Over the next few posts, I’ll be trying to catch y’all up to speed!

January 22^nd—an eclectic duo of features

Movie #1:  Tales from the Crypt (1972, with Joan Collins, Peter Cushing)

Before the popular tv series started, this movie appeared in theaters.  At the beginning stages of the modern horror genre, this film is segmented into 5 stories with each centered around a specific character.  The catalyst for this is that each of the 5 characters wind up together in a cave with a monk or soothsayer of some sort (the Crypt-keeper)  who reveals to them their evil deeds.   The stories are told through flash-forwards in order to show each one what their fate holds.  The stories involve greed,  desperation, and cruelty.  It’s definitely interesting to see what lengths one human being will go to in order to harm another—or simply the very cold, disinterested contempt for another person.  This one is a little dated, but then, this is the early ‘70s after all.  Cheesy fashions…melodramatic acting…horrible effects.  But despite that, it’s an intriguing look at the capabilities of the human soul when it bends to evil.

What we liked:  The 300 bottles of red fingernail polish they used for blood in this movie.

 Ratings:  Jason 3.5; Kathy 2.5; Me 3

Movie #2:  Brighton Beach Memoirs (1986, with Blythe Danner, Jonathan Silverman, Judith Ivey)

Taking a complete detour from the Crypt, this movie was a bit more light-hearted.  A period piece that serves as somewhat of a veiled biography for Neil Simon, this movie reflects the life of a Jewish family in the late 1930s living in New York.  If you love Ralphie and his family in A Christmas Story, then you really need to see this movie.  This movie is very similar in its format of “nostalgic and tongue-in-cheek coming of age vignettes” and is told through the teenager addressing the audience like in Ferris Bueller’s Day Off (‘nother great movie!).  It is hilarious.  You’ve got the overcrowded Jewish household complete with widowed aunt and her children which causes untold burdens for teenage Eugene’s mother (although she is certainly the queen of complaints—“But I don’t mind.  They’re family.  It’s my duty.”  Poor Eugene is trying to navigate the rigors of adolescent manhood with the help of his older brother’s worldly experience and wisdom.  Eugene’s antics create most of the storyline with the other family members rounding out the picture of American life pre-WWII.   Heart-warming.  Funny as hell.  Excellent portrayals of the quintessential Jewish family.  Your stomach’s gonna hurt from laughing so much—Surgeon General’s Warning for you.

What we liked:  Blythe Danner as the mother.  She was fabulous.  And the end… when poor Eugene finally gets his dearest wish….you didn’t really think I’d tell you, did you?  That would spoil it for you!  (And I do not believe in spoilers.  So not fair.)

Ratings:  We all gave it 4s.  Excellent feel-good comedy.

January 29^th—a classic 80s comedy and a newbie (we don’t watch many of those!)

Movie #1:  Pitch Perfect (2012, with Anna Kendrick, Brittany Snow, Rebel Wilson)

This is one of the rare times that we have a movie that none of us have ever seen previously.  The best way to describe this movie is Glee meets Bridesmaids.  Beca (Anna Kendrick of Twilight Saga fame) is a freshman in college and looking for a way to “get involved” to satisfy her father’s demands that she experience all that college has to offer.  Enter the a cappella singing clubs.  She finds herself sucked into the Barden Bellas, an a cappella group that seems more like a sorority than a glee club.  You’ve got overinflated egos, fierce competition, ridiculous ceremonies and rituals, and a girl called “Fat Amy” (Rebel Wilson).  Lots of crude humor and absolutely spectacular music.  Now granted, this movie has some faults (one of them being character development), but then, no one has ever named this as an Oscar-contender either.  It serves its purpose which is to make you laugh.  And laugh we did.

**Warning:  If you have a sensitive gag reflex—there are 2 heinous projectile vomit scenes.  They were pretty gross—I had to turn away.

What we liked:  The singing—excellent.  And—the little nerd gets his shot in the end.  Perfect.

Ratings:  Jason  3.5; Kathy 4;  Me  3.5

Movie #2:  Weekend at Bernie’s (1989, with Andrew McCarthy, Jonathan Silverman, Terry Kiser)

Most folks have seen this movie.  Even me, who was sheltered from such “trash” as a child, I’ve seen it.  Jason, who has seen way more movies than I have, had never seen this movie.  Therefore, we had to correct this failing.  Picture it:  New York City, 1989.  (I always loved when Sophia did that in Golden Girls, didn’t you!)  Two young accounting yuppies stumble upon multiple payouts from their insurance firm on bogus accounts.  Thinking they’ll be the toast of the company, they inform their boss, Bernie.  Now here’s the tricky part—Bernie’s in with the mob, and these idiots have just unveiled the money-laundering scheme.  Enter the contract hit on the two morons by Bernie.  Except—wait for it—the mob puts out their own hit on Bernie (apparently he’s a loose end).  Fast-forward-----everyone ends up at Bernie’s house in the Hamptons for the weekend.  The mob has killed Bernie, the boys are trying to pass Bernie off as alive, and the entire population of the Hamptons villages is partying at Bernie’s house.  The whole movie is slapstick comedy revolving around dead Bernie, the mob hitman returning to finish his job, and the boys trying not to get caught. 

Trivia Tid-bit (cause it’s cool):    The house used in this movie was not in the Hamptons.  It was actually built on a state park at Bald Head Island, North Carolina!!!!  There is a clear shot of the Bald Head Island lighthouse in one of the pier scenes.  Because the area is a state park, no vehicles were allowed on the island—hence the golf carts in the movie!  Last thing—the pier used to get into the boat is located in Wrightsville Beach beside the Harbor Island drawbridge.   How awesome!

Ratings:  Jason 2; Kathy 2; Me 2.5   (It’s an ‘80s comedy, not Gone with the Wind)

Stay tuned for another post tomorrow to catch you up!

Old folks and undead dogs...they're ALIVE!!!!!

New year, new movies, new posts…

Movie #1:  The Best Exotic Marigold Hotel (2011, with Judi Dench, Maggie Smith, Bill Nighy)

Wow.  All I can say is Wow.  You take some of the biggest names in British acting, couple them with fantastic dialogue, set the whole thing in a colorful, exotic country, and you have one fantastic movie.  If you are not into dry British wit, then you’ll miss most of the humor in this movie; however, if you love that type of scripting, you need—no, you MUST watch this movie.  It’s poignant.  It’s irreverent.  It’s optimistic.  It’s life—with all the ups, the downs, the hopes, the fears, the grit and the sublime.   It shows that life, with all its possibilities, doesn’t have to end just because you’re “old”.  Seeing these characters move to India and how they deal with adjusting to a new culture (positively and negatively) is fascinating.  You also see the contrast between the traditional culture and mindset of India and the changing attitudes of modern Indian youth.  It’s just fabulous and the one-liners are hysterical. 

What we loved:  EVERYTHING.

Favorite line:  “In India, we have a saying….it will be all right in the end.  If it’s not all right, it’s not the end.”

Ratings:  5s all around, hands-down.

Movie #2:  Frankenweenie (2012, Tim Burton, with Winona Ryder, Catherine O’Hara, Martin Short)

Well, it’s another true-blue Tim Burton classic.  You see elements of Edward Scissorhands and Corpse Bride in this.  Or at least I did.  Here’s the basic storyline: Boy meets dog.  Boy loves dog.  Dog dies.  Boy resurrects dog.  Chaos ensues.   It’s kind of like Pet Semetary in cartoon-form.  It’s a really cute movie and lives up to the Tim Burton “brand”.  He works in glimpses of some of the classic Frankenstein movies in this, which is fantastic.

What we loved:  The names of the pets in the cemetery.   You have to read the tombstones.  And--the homage to Godzilla. You'll know it when you see it.

What creeped us out:  The damn cat!  Mr. Whiskers.  Psycho kitty, man.  Psycho.  Kitty.

Ratings:  Jason 4; Kathy 3;  Me 3.5 

Shout-out to our local independent video store—East Coast Music & Video!  They had The Best Exotic Marigold Hotel for us this week.  We had problems with an instant stream version of this movie, so we went old-school.  Sometimes old school is just better, people.  If you’re in the Greenville area, check out our guys at East Coast.  Give ‘em some love.

White Trash Families (don't laugh... you know you got some hiding in the closet!)

A Night of White Trash Hicks and Comedy

Movie #1:  Best in Show (2000, with Eugene Levy, Jennifer Coolidge, Jane Lynch, Catherine O’Hara,

Fred Willard)

Jason and Kathy had both seen this movie.  I’d never seen it, and my co-worker had suggested both this movie and our second movie for one of our viewings.  What a hoot!  A “mock-umentary” of professional dog shows, the film follows several dog trainers on their journey to the Mayflower Dog Show.  You have the neurotic, tight-assed yuppies who take their dog to therapy, the suburban Florida “tacky neighbors”, the excessively gay couple, a redneck from Pinenut, North Carolina (our personal favorite), and a gold-digger wife to an ancient millionaire who’s having a lesbian affair with her dog handler.  All kinds of quirky and funny things happen to each of the couples during their ventures to achieve the highest pinnacle of dog-training celebrity.  The movie ends with a flash-forward to six months after the dog show and a kind of “Where Are They Now” montage that shows what happened after the blue ribbons were passed out.

What we liked:  1—Fred  Willard’s nonsensical and inappropriate commentary during the dog show.  He obviously has no idea what’s going on and is just trying to fill time—like ALL sports commentators!  He was great.  2—We loved that it appeared as though they were using real dog show judges in this.  If they weren’t actually show judges, then the casting was spot on.  3—The bloodhound from North Carolina and his simple, redneck owner.  They were the most genuine of the ensemble.  No craziness, no weirdness, just a man and his dog.

Odd Trivia:  From my research, there is no “Pinenut, NC”.  HOWEVER, there is a Pine Nut Lane in Apex, NC!

Ratings:  Jason 4;  Kathy and Me 3

Movie #2:  Sordid Lives (2000, with Delta Burke, Beth Grant, Beau Bridges, Bonnie Bedelia, Leslie

                Jordan, Olivia Newton-John)

“Jesus called……. Peggy answered.”

The tagline for this movie is “A black comedy about white trash”.  Boy, that’s the truth!  Peggy, family matriarch, has died in very….unusual…. circumstances.  (blogger leans forward to say in a loud stage whisper popular in Southern culture—“She was having an affair in a motel room… and when she got up to go to the bathroom….” Blogger scans room to avoid eavesdroppers—“she tripped over her lover’s wooden legs lying on the floor by the bed and DIED!”)  The film follows Peggy’s family as they grieve her loss and prepare for the funeral.  There’s Peggy’s sister (Beth Grant) who plays the only remotely sane person in the family.  Then you have Peggy’s two daughters, LaVonda and Latrelle, who violently argue over their mother’s old fox stole and whether their brother should come to the funeral.  Now here you have the brother—“Brother Boy” as the family calls him—a cross-dressing gay man who thinks he’s Tammy Wynette and is currently locked away in an insane asylum.  Then there’s the neighbor (Delta Burke) whose husband was the man Peggy was sleeping with and the cause of Peggy’s death!  Enter amongst all the family “dramedy”  a whole slew of eccentric townsfolk that just paint the picture of white trash life in Texas (or any Southern town, really).  Really—it’s just hilarious.  If you think your family is utterly dysfunctional and a complete mess—this one will make you feel a lot better about your kinfolk.

Odd Trivia:  Beth Grant is an East Carolina University alum.  GO PIRATES!

Ratings:  Kathy 5;  Jason and Me 4.5    (Really—watch it.)

Thanksgiving and Airplanes!

Thankful for turkeys, pumpkin pie, and airplanes—

Movie #1:  The Concorde…Airport 1979 (1979, with Robert Wagner, George Kennedy, Eddie Albert,   

                Susan Blakely)

The fourth of the Airport disaster movies that spanned the decade of the ‘70s, we all agreed that this one was the worst of the four.  This one actually had a plot—Robert Wagner is a traitor and a terrorist (by virtue of illegal arms sales to foreign terrorist regimes) and upon being discovered by his reporter girlfriend, he tries to blow up the plane, eliminating the evidence against him.  Obviously, they were pulling from the political landscape of the time.  The thing that makes the previous three Airport movies so great is the fact that they’re so outlandish—to the point of being science fiction at times with three-story airplanes, baby grand pianos, mile-wide aisles, and natural disasters that would never actually occur in nature.  This movie had none of that.  It was more a realistic snapshot of the political climate of the day and the dull, cramped, non-luxurious airplanes of real life.  SUCK.  These movies are all about being over-the-top.  This movie wasn’t even close.  The other problem with this movie is George Kennedy’s character—Joe Patroni (whom Kathy has consistently called “Joe Paterno” in every Airport viewing!).  In all of the other Airport movies, Joe’s character is presented as a mechanic/logistics guy.  They never allude to him being a pilot of any kind.   In this movie—he’s all decked out with a captain’s uniform and flies the dang plane!  WHAT???!!!!   Comparatively speaking, this one was a dud—out of the four. 

What we liked:   Guest appearance by Jimmy Walker (DYNOMITE!)      What confused us:  The guest appearance of Charo.  We waited the whole flipping movie to see that outrageous woman that no one can understand, and when she shows up, it is for literally 2 lines and 40 seconds of airtime.  What was the point?????  Obviously, she was there for name value only.

Ratings: Jason 2; Kathy and me 1

Movie #2:  Airplane!  (1980, with Julie Hagerty, Leslie Nielsen, Robert Stack, Robert Hays, Peter Graves)

What’s your vector, Victor?

The hilarious spoof of the Airport movies, Airplane! Is a comedy that everybody knows.  I have to admit—I’d seen it before, and laughed at spots, but after having watched the disaster movies that this one based itself on, I was crying I was laughing so hard.  At everything!  A pedophile captain (which was really creepy, yet you still laughed), Kareem Abdul Jabar as co-pilot (which makes one ask… what the hell ever happened to him, anyway?….), a neurotic war vet (who thinks he’s John Travolta in Saturday Night Fever), and a host of odd, quirky people.  Everyone’s dying from bad fish dinners, the air traffic controller is trying to quit smoking, drinking, and sniffing glue—all unsuccessfully, and the neurotic war vet has to land the plane.   But the question in the forefront of everyone’s minds as the plane is in turmoil is “When we land—will we be stampeded to death by flower-bearing, muumuu wearing religious zealots?  No.. we want to die now.  We don’t want to land at the airport with the religious hippies!!!” 

What we liked:  Jimmy Walker’s cameo as the airplane washer (DYNOMITE!).    Moral of the story:  for the love of humanity… don’t ever choose a fish dinner on an airplane—if food is even offered during a flight ever again—remember… just say no to the fish!

Ratings:  Jason 5; Kathy and Me 4

The Starlet and the Sharktopus

With Halloween and the election over, and the world returning to normal (as much as is possible), we resumed movie night this week with an eclectic mix of features.

Movie #1:  The Star (1952, with Bette Davis and Sterling Hayden)

Bette Davis is a bit older in this movie.  Portraying a washed-up starlet whose aging has alienated her from the glittering Hollywood circles she used to move in, this movie follows our desperate leading lady through bankruptcy, family dramas, and finally being thrown in the drunk tank following a minor car accident brought on by intoxication.  She’s subsequently bailed out by a former pool boy (Sterling Hayden) that she gave a break to in one of her earlier films.  Joe (the former pool boy) tries to impress upon Margaret (our aging starlet) the futility of pursuing a career in Hollywood now and tries hard to make her see the merits of living a more “normal” life.  Needless to say, our starlet’s ego can’t even comprehend that she’s unwanted in Hollywood.  She’s flubs up a screen test by trying to play it young and sexy—in direct contradiction to the sullen old maid that’s required of the character.  Naturally, she’s passed over and the favor provided by the gift of a screen test proves futile.  This seems to bring about either a nervous breakdown or an epiphany….we couldn’t really tell which it was…very unclear.

Issues:  1. For one hour and 28 minutes, Bette Davis desperately parades herself around Hollywood practically begging for a movie.  She is completely fueled by her ego and has deluded herself into thinking she’s not “aged out”.  In the last 55 seconds of the movie, she gives all that up and runs to Joe with her long-lost daughter seeking family over fame.  I don’t buy it.  This was a cop-out to end the movie and was cooked up by some Neanderthal male sitting in a huge office wanting to reflect the “correct way for women to behave”.    2.  We assumed from the movie’s intimations that Joe was supposed to be in love with Margaret.  Well, other than seeing his wish to help someone who had once helped him and a fond remembrance for his crush as a very young man, we didn’t see any kind of chemistry between these two that would make anyone believe they were in love.  At all.   Huge problem in buying that they wanted to be a family and were in love.

Things We Loved:  Bette Davis was made up as a very dowdy and old woman for her screen test.  She then locked herself into a dressing room and redid her costume to reflect sex and youth.  Our favorite—she TOTALLY did Joan Crawford hair & bangs!!!  We think she did it to mock Joan—they were such rivals, you know….

Ratings:  Jason 2;  Kathy 2.5;  Me…1.5 –I just had a really hard time buying what they were selling.

Movie #2:  Sharktopus (2010, with Eric Roberts)

Okay—ever since we started “Movie Night”, Kathy has been insisting that we need to see this movie.  She has talked about how awesome it is for two years.  We have been trying repeatedly to catch it on streaming or as a DVD.  Well, the wait was over.  It finally came to us as a Netflix DVD.  IT SUCKED!  All that buildup---all that “foreplay”, and it was as bad as a gym-sock flavored ice cream cone.  I was on my phone looking at Pinterest almost the entire movie, and Jason was just sitting there with his eyes glazed over.  I think his brain actually stopped working for a bit due to the mind-numbing suck-ness of this movie.  Most creature-features have horrible CGI—you come to expect it really—but this was just really, really bad.  Really. Bad.   Also, you didn’t give a flying donkey’s right ass-cheek if that stupid fish/octopus/metallic teeth-gnasher  ate anybody or not.  There was not one character to remotely be interested in much less want to root for.  The thing Kathy loved about it was the Sharktopus could go on land… how the hell it could do that, no one knows.  For one, it doesn’t have lungs, so how could it breathe indefinitely on land while attacking Mexican coastal resorts and eating burrito and tequila filled tourists?  And two, it doesn’t have legs or feet.  Just tentacles.  How can you walk on tentacles?  They don’t have bones. 

We still maintain that The Swarm is the absolute worst movie of all time… but this is definitely the worst creature-feature ever.  Eric Roberts really, really needed $62.43 so that he could get some groceries at the Piggly Wiggly.  I’m sure Julia Roberts would decline to comment if I could ask her about it due to the embarrassment of having a relative actually film this.  (Not that she’s all that great herself, but then…. she’s not in Sharktopus is she????)

Kathy---you lied.  What the heck were you on when you saw this the first time that you fell in love with it so much????  I think you’d had a bit too much Miller Lite—you saw this through beer-goggles, didn’t  you?  That’s the only explanation….

Ratings:  Jason 0.5;  Kathy 1 (but she wants it known that she still loves the Sharktopus); Me….0.2 maybe

The Rest! (of the haunted story....)

Well, after battling a sinus infection for 2 weeks and surviving the insanity of helping throw the annual Halloween extravaganza, I can fill you all in on our last night of terror….

Last Week….

Movie #1:  The Ring (2002, with Naomi Watts, Brian Cox, Martin Henderson)

We three had already seen this movie.  It completely freaked us out the first time.  It was still just as creepy this go-around.  Impending death…a bizarre video…suicidal horses…sadistic and freaky little girl… If someone gives you an old VHS tape to watch—DON’T DO IT!!!  YOU WILL DIE!!!  (I can’t say more in case folks haven’t seen it… No spoilers for this one!)

Ratings:  4s all around!

Movie #2:  Halloween III:  Season of the Witch (1982, with Tom Atkins, Stacey Nelkin)

Worst movie in any of the slasher franchises…seriously.  John Carpenter agreed to direct another Halloween movie providing the plot revolved around some other psychopath than Michael Myers.  BIG MISTAKE.  You go from two excellent, and downright scary, horror flicks (Halloween and Halloween II) to this horrible dud.  Basic premise—all the kids buy these masks that will turn them into killers at 9pm on Halloween.  Here’s the first problem—there are 3 mask designs…it is absolutely unfathomable that all the children in the country will all want to be the same.  Problem number two—you don’t care about any of the characters whatsoever, so you really don’t give a crap that they’re all gonna be murdered in a matter of hours by brainwashed child delinquents hopped up on sugar and chocolate.  Problem number three—an entire town is decimated and then replenished with androids by one really ancient Irishman.  Like no one would notice what was going on… I mean—really.   Problem number four—the title says “Season of the Witch”.  There’s no mention of witches… at all.  They did drag a huge pillar from Stonehenge to southern California, but it’s all done with lasers not witchcraft.  Problem number five—that damn annoying commercial jingle that plays the ENTIRE movie.  You want all the little kids to murder everyone just so that damn jingle would stop.  Seriously.  Annoying.  As.  Crap.

Note:  It is our belief that every electronic synthesizer in California was blown up in the making of the music for this movie.  Our sympathies to the Synthesizer Humane Society of the 1980s.

Ratings: Jason 2; Kathy 1; Me…. -.5 (Yes, that’s a negative sign. 88 minutes of my life that I will never get back.)

Halloween Week!!!!!  (Movies that involve lots of fog)

Movie #1:  Sleepy Hollow (1999, Tim Burton, with Johnny Depp, Christina Ricci)

This is a retelling of Washington Irving’s classic short story “The Legend of Sleepy Hollow”.  Although Tim Burton takes liberties with the plot, he remains true to the eerie atmosphere of Irving’s creation and the little idiosyncrasies of the different characters.  Burton is a great character developer (excepting Dark Shadows… see earlier blog post), and he excels in this one.  He takes a large number of townspeople and creates this little world in which superstition, fear of evil, mistrust, and preservation of appearances are all paramount.  “Truth is not always appearance.”   Johnny Depp (sigh….) plays Ichabod Crane, and in interviews about his performance, he has always maintained that he saw Crane as a sort-of prepubescent girl—prissy, frightened of shadows, and a know-it-all.   It works in this movie.  It gives enough humor to offset the ominous happenings in the Hollow.  We loved:  the scarecrows in this movie!  They were often more frightening than the horseman!  We also loved:  the casting for this movie.  Michael Gough, Michael Gambon, Miranda Richardson, Jeffrey Jones… they were all phenomenal. 

Ratings:  Jason & Kathy 4s; Me 4.5

Movie #2:  The Fog (1980, John Carpenter, with Adrienne Barbeau, Jamie Lee Curtis, Hal Holbrook)

I just love how all of John Carpenter’s creations have his name in the title credits:  John Carpenter’s The Fog; John Carpenter’s Halloween; John Carpenter’s The Thing….    They’re his damn it, and he wants to be sure you know!   Honestly, I saw the 2005 remake (and love it) before I ever saw this original.  It is dated now; however, the premise is good.  The interesting thing about this movie to us was that a large portion of the cast were all in Carpenter’s Halloween… kinda like Tim Burton always uses the same folks… but if ain’t broke, don’t fix it!  I can’t say much about plot because again I don’t want to spoil it for folks that haven’t seen it. However, I will say… watch the remake.  Of the two, the 2005 version communicates the story better, and the effects are much, much better.   We all agreed that the ending of Carpenter’s original 1980 movie would have been better if the eyes didn’t glow red.  Those glowing red eyes took silhouettes that would be very scary and turned them into 1980s cheese. 

Ratings:   2.5s all around.